Film

Sony’s animated sequel to the Oscar winning movie Spider-Man: Into the Spider-verse, Spider-Man: Across the Spider-Verse is moving from Oct. 7 this year to June 2, 2023. The news is breaking just before the studio’s presentation at CinemaCon next week. Meanwhile, the pic’s sequel, Spider-Man: Across the Spider-Verse Part II, is dated for March 29, 2024. The

Is it truly a marketplace for branded tentpoles and uber low-budget fare at the box office as the pandemic eases? And is everything in between just future programming for a streamer? Surely if you ask any filmmaker, established or budding, they truly don’t want their art lost to obscurity in a streaming queue, or worse,

Six had its best week ever, Mrs. Doubtfire was back and several new shows joined the Broadway roster last week as box office climbed a total of 23% to $34,729,295. Compared to the previous week, Broadway total attendance was up about 16% to 261,835 for the 34 productions. The attendance figure indicates that about 87%

In an unusual feat for really any Monday at the box office, the No 2 movie from this past weekend beat the No. 1 opening pic. Specifically, Paramount’s Sonic the Hedgehog 2 made $4.5 million yesterday, compared with Warner Bros’ The Fantastic Beasts: The Secrets of Dumbledore‘s $3.68 million. Essentially, 41% of K-12 schools were out

It’s All Coming Back to Me will be hitting theaters on February 10. The Sony Screen Gems movie formerly titled Text for You centers on a woman who, after tragically losing her fiancé, starts to send romantic texts to his old cell. It turns out the number has been reassigned to a man across town suffering

Warner Bros/DC’s The Batman has winged its way past three-quarters of a billion dollars at the worldwide box office, maintaining its spot as the highest-grossing film of the year, globally and domestically. The worldwide cume through Sunday is $751.1M with the Matt Reeves-directed spin on the Caped Crusader counting $386.1M at the international box office

The Tale Of King Crab, a cinematically striking fable shot in rural Italy and Argentina, opened to a three-day gross of $5,120 at Film at Lincoln Center this weekend — the first in a string of Italian offerings set to arrive on the specialty scene through the summer. “In today’s challenging arthouse market, we count

Refresh for latest…: It’s no secret that Warner Bros’ Fantastic Beasts: The Secrets Of Dumbledore had a less than magical opening domestically this weekend, coming after early overseas rollout began last frame. Still, offshore this weekend, the threequel was again the top movie and ranked No. 1 in 52 markets, including 41 of the 44

Angelika Film Center and Sony Pictures Classics unveiled a “Bring A Friend Back To The Movies” initiative timed to the April 22 release of dramatic comedy The Duke. The arthouse cinema and specialty distributor are offering a complimentary second ticket to anyone who buys a first directly from the Angelika’s website, app or in the

Indie distributor Kino Lorber has hired Kate Patterson as its new Director of Press & Publicity. She joins from Metrograph, where she headed publicity and communications. Patterson will lead multi-pronged PR efforts to support Kino Lorber’s continued growth in the digital space and manage campaigns for its 25+ yearly theatrical releases. She reports jointly to

“I see nothing happening on a major scale to try to get the older audiences back to theaters,” griped Sony Pictures Classics’ co-president Tom Bernard. Ideally, Bernard wants NATO to trumpet cinema safety in a big public campaign. (A NATO rep says not in the cards.) He’d like that campaign alongside a creative marketing push

Warner Bros.’ Fantastic Beasts: The Secrets of Dumbledore whirled up $6M in Thursday previews that started at 2PM at 3,350 venues. The David Yates directed J.K. Rowling co-scripted movie is expected to make between $45M-$50M over the Easter holiday weekend stateside; 73% of all K-12 schools off today according to Comscore. Dumbledore is also expanding into 44 more offshore

Voltage Pictures has appointed Alexandra Cocean to EVP, International Sales and Distribution. She will start immediately and report to Voltage President and COO Jonathan Deckter. Her appointment comes just prior to the upcoming Marche du Film. Voltage’s sales slate includes action-thriller Last Seen Alive starring Gerard Butler, Jaimie Alexander and Russell Hornsby and the political

Warner Bros, which has traditionally ruled the Easter weekend box office, is back, a year after Godzilla vs. Kong brought bread to reopening cinemas during the pandemic. The stateside arrival of J.K. Rowling’s Fantastic Beasts: The Secrets of Dumbledore, and further expansion abroad into 44 markets, arrives days after the Warner Bros. Discovery merger went public.

Coming off the blockbuster success of S.S. Rajamouli’s RRR, star Ram Charan is hardly sitting on his laurels. Releasing April 29 is action drama Acharya which he’s producing and starring in with his father, the prolific actor Chiranjeevi. He’s also currently shooting RC15 (working title), a political drama from 2.0 director S. Shankar, and has

Several Broadway shows impacted by the uptick in New York City Covid cases last week are still feeling the effects this week: Plaza Suite has canceled performances at least through tomorrow, Paradise Square has canceled most of this week, and A Strange Loop is off until Thursday. Macbeth, starring Daniel Craig and Ruth Negga, returned

EXCLUSIVE:  We hear that the No. 1 exhibitor in the world, AMC Theatres, has made a deal with Bow Tie Cinemas to snap up and operate seven of their locations in Connecticut, upstate New York and Annapolis, Maryland. All in this this is north of 60 screens for AMC. For those who’ll remember, Bow Tie

Warner Bros’ Fantastic Beasts: The Secrets Of Dumbledore, which released in China this past weekend, did so without references to the same-sex relationship between two of the threequel’s lead characters. The Chinese censors requested a cut, which Warner Bros, according to a studio spokesperson, “accepted… to comply with local requirements,” adding, “the spirit of the film remains