Two of the country’s major theatrical venues announced reopening plans today, with the Ahmanson Theatre in Los Angeles and the Kennedy Center in Washington D.C. set to house Broadway productions in November and October, respectively. In Los Angeles, the Ahmanson’s 2021-22 season will start later than previously announced – instead of an August opening with
Film
Sony’s Kevin Hart and Woody Harrelson action comedy The Man From Toronto has set a release date of Jan. 14, 2022. The pic was taken off the theatrical release calendar as the pandemic took hold. At one point, it was scheduled to open on Nov. 20. Hart owns two of MLK’s biggest openings for Ride Along, ranked third
Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong continues to dominate the global and international box office, now with a $288.3M cume offshore for $357.8M worldwide. It will soon cross Tenet globally and overseas. Domestically, it has overtaken Tenet to become the No. 1 grossing movie of the pandemic era. The full overseas weekend was
(Interactive chart with estimates below) This week, Atlas Entertainment’s The Girl Who Believes in Miracles grew to 900 runs in 175 markets (up from 640 runs in 154 markets) as it tallies its weekend best at $604,000 with its cumulative box office total doubling to $1,326,000. In its second weekend, the Rich Correll-directed drama posts
Here’s something nobody was expecting during the pandemic at the global box office: An event film which is bound to profit. Film finance sources have been telling us that as Legendary’s Godzilla vs. Kong hits $357.8M WW today, the pic is already set to bring cash back to Warner Bros. –an estimated $96.4M currently–even with the
EXCLUSIVE: We also learned today that Paramount’s Snake Eyes: G.I. Joe Origins movie is moving up from its Oct. 22 release date to July 23. The G.I. Joe movies play younger and it only makes sense for the new standalone from EOne/Hasbro to play the summer. The first movie, G.I. Joe: The Rise of Cobra also played the summer
Warner Bros. pandemic hit Godzilla vs. Kong grossed $3.88M on Friday, which will yield an estimated $12.9M second weekend at 3,084 theaters (+20), -60%, on its way to $69M domestic by the end of tomorrow. In the Legendary title’s first week, the monster movie has grossed $60M, making it the top grossing pic stateside during the pandemic
2ND UPDATE, 12:12 PM: The bunny trail is busy again. Sony said today that its Peter Rabbit 2: The Runaway is moving up two weeks from Fourth of July weekend to June 18. The move comes just hours after after Paramount announced that its Top Gun: Maverick exited its July 2 slot and Blumhouse’s The Forever Purge is taking that
In a snap, Universal was ready to backfill July 2 today with its long-awaited Blumhouse sequel The Forever Purge with the news of Paramount/Skydance’s Top Gun: Maverick leaving the Fourth of July weekend for Nov. 19. The last two Purge movies, 2018’s The First Purge and 2016’s Purge: Election Year played the July 4th corridor. The Forever Purge moves up from July 9. The
AMC Entertainment shares were up more than 16% in midday trading in the midst of an aggressive rally powered by Gozilla Vs. Kong‘s $285 million global box office that “destroys lingering concerns around theatrical window importance and demonstrates a solid path to resurgence,” according to one Wall Street analyst. In a note early Monday, Eric
Los Angeles, April 2, 2021 – 2021 just may be the year for Actress and Producer Ashley Atwood after the rollercoaster of Hollywood. She has been submitted for a Daytime Emmy® Actress nomination for her lead role as Annika Marshall in the independent movie Rekindling Christmas. Rekindling Christmas is a Hallmark-style movie, with a twist. The
We first told you that Skydance sold the Chris Pratt sci-fi film The Tomorrow War to Amazon Studios for $200M, and now that deal has closed with the streamer setting a July 2 drop date in 240 countries and territories. It’s the second Paramount release that Amazon has picked up after Coming 2 America which
Third-party streaming ratings firm Samba TV reports that 3.6 million households watched at least five minutes of Warner Bros./Legendary’s Godzilla vs. Kong on HBO Max in the pic’s first five days from March 31 to April 4. While HBO Max didn’t provide any official viewership figures on Godzilla vs. Kong, previous data from Samba shows that
Universal Pictures has scheduled George Clooney and Julia Roberts’ next movie together, Ticket to Paradise, for Sept. 30, 2022. Uni already had the release date reserved for an event film on the theatrical release calendar. Ticket to Paradise currently follows the weekend after Universal/DreamWorks Animation’s Puss in Boots: The Last Wish sequel on Sept. 23 and ahead of
New York exhibitors had their hopes dashed Monday as Gov. Andrew Cuomo made no move at a press conferences to boost capacity at movie theaters in the five boroughs from 25% to a hoped-for 50%. The Godzilla vs. Kong weekend box office stampede ($285 million globally) shows that movie fans want back in theaters but
The $550 million renovation of Lincoln Center’s David Geffen Hall will be completed two years earlier than anticipated, with a re-opening now planned for Fall 2022. In a joint statement released today by Lincoln Center for the Performing Arts and the New York Philharmonic, the cultural organizations said the acceleration of the project will “boost
The Vaughn Stein-directed psychological thriller Every Breath You Take made its theatrical premiere this weekend on 106 screens and added some coins to the specialty box office piggy bank. The film, which also landed on VOD this weekend, is on track to earn an estimated $35K with its debut. Written by David K. Murray and starring Casey
Refresh for latest…: After logging the best pandemic-era start for a Hollywood movie at the international box office last weekend, Warner Bros/Legendary’s Godzilla Vs Kong has punched up $285.4M worldwide through Sunday. The overseas running total, which added $76.1M this weekend, is $236.9M, giving GVK bragging rights as the quickest studio movie released during Covid
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