Literature

The late Chuck Kinder once told me, “Fiction should be a fist.” Meaning fiction is a medium suited to emotional honesty, the place to have adult conversations. To engage with the world in all its complexities, and, often, its ugliness. For me, this has meant writing characters who either confront oppression, assist in oppression, or
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you know the one, wherepikachu slaps pikachu in the face, both entirelyflowering with tears, as one says pikachu, arms thrown back like a wishbone, as the other says pikachu,head heavy and lips parted. it’s too easy to saythat i am the pikachu being struck, that i am the waythey fall and roll like a wound
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“What about civility? Respect for the people one loves? Discretion, for god’s sake?” asks Lucy Douglas “C.Z.” Guest, the enigmatic socialite and fashion icon played by Chloë Sevigny in Ryan Murphy’s latest installation of the Feud series, Capote vs. the Swans. Across from her sits the American novelist and screenwriter Truman Capote (Tom Hollander), author
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Grandma’s Fiancé Requires Our Full Adversarial Response Caroline Beimford Share article No Picnic by Caroline Beimford Each afternoon at five minutes to four, Gigi emerged, descended from the mezzanine, and filled three glasses with ice, Tanqueray, and a pimento olive. A freezer beneath the wet bar produced small, gem-like cubes of unusual translucence and the
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I love it when a text centers the dynamics of conversation. In my own life, talking to others gets me out of my head, and introduces me to possibilities I would never have dreamed of alone. I think of a quote by the activist Valerie Kaur, which my local bookshop has printed on some of
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Drinking coffee from a Styrofoam cup with chewed rim. Choosing hotel rooms based on which has the fewest number of 2 A.M. fights in the parking lot. Calling your guy in Pittsburgh from a payphone in Dayton to ask about the Tampa connection who might be dead. This is the America of Carroll’s fifth book
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Korean mythology brims with everything from philosophy and political intrigue to glorious creatures. Fox shapeshifters with a penchant for male livers. Club-wielding goblins with an excess of mischief. Winged maidens who spend their days in the sun-warmed mortal forests, and their nights in the star-dotted heavens. The traditional stories of Korea are vibrant, and more
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Jacob Cohen, the yellow-cab executive at the heart of my debut novel, Atta Boy, is the quintessential Trump-era blusterer, his fortune built on a shadowy empire of dubious side-hustles and Matryoshka-doll-like shell companies. He’s powerfully convinced, and convincing, I think, of a vision of himself as a noble striver, a proverbial little guy living by
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He’s a Scammer But Our Love Is Worth It The Eclipse Una lettera scritta sopra un viso di pietra e vapore. —Caetano Veloso, “Michelangelo Antonioni” São Paulo, 2023. Living room of an apartment in Perdizes. On the table (round): in the center: a takeout carton from Arabesco restaurant; at the back, towards the window (open):
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The Girls by Emma Cline A thinly-veiled retelling of the Manson murders, The Girls is narrated by Evie, a precocious 14- year-old who, in the summer of 1969, befriends a group of girls she observes dumpster-diving in her suburban California neighborhood. The girls lead her to “the ranch,” where she meets Russell, a shadowy figure
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Rhea Dhar Share article This piece is published as the winner of the First Chapters Contest, hosted by Girls Write Now and Penguin Random House, for teen writers. The Penguin Random House editors said of this piece, “We enjoyed the energy of the voice, the thrill of the action, and the strong character work on
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