Literature

Horror is queer. I don’t make the rules.  From the moment Carmilla sprang onto Laura’s bed to when M3GAN murder-danced her way down the red hall, the horror genre has been dominated by queer icons—and loved by queer audiences as well. While the subtext-entrenched classics remain iconic, the past few years have inspired explicitly queer
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One school morning in 2012, I woke up at home and alone. Everyone else was on holiday and I stayed behind by request. The class activity that day in high school was a debate about abortion. I was excited to participate – argument formulation was a strength of mine, and anything beat having homework. Regrettably,
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The Bluest Crab at Grandpa’s Funeral The following story was chosen by Anthony Doerr as the winner of the 2023 Stella Kupferberg Memorial Short Story Prize. The prize is awarded annually by Selected Shorts and a guest author judge. Subscribe to Selected Shorts wherever you get your podcasts to hear this story performed by an actor in
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Penelope Schleeman never thought she’d write a bestseller, but she’s trying to make the most of it. In the wake of her debut’s unexpected success, she departs her teaching job for Hollywood in order to adapt American Mermaid for the big screen. But as her co-writers’ suggestions tug and twist her beloved protagonist’s story further
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Katie Kassam and Vala Thorodds, winners of the 2023 Student Translation Prizes World Literature Today, the University of Oklahoma’s award-winning magazine of international literature and culture, has announced the winners of its annual Student Translation Prize.   Katie Kassam and Vala Thorodds were recently named the recipients of the sixth annual translation prize for students sponsored
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Romance blooms and ages alongside us, developing crow’s feet and laugh lines to mark the time spent in love, as well as muscle aches and twinges as tokens of time spent unrequited. As a romantic, I live for all the stages throughout this evolution of young romance to seasoned. There are the first times as
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To say that Gina Apostol’s prose is pyrotechnical is to state the obvious: juggling an immense cast of characters, decades of political entanglements, and Apostol’s trademark brand of humor, La Tercera dazzles. I was floored by how the novel somersaulted between multiple languages, the personal and the national, overacted tragedy to heartbreaking history, the U.S.
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