Literature

There’s a scene in Ethiopian-American writer Dinaw Mengestu’s novel All Our Names that I think back on a lot. A white social worker, Helen, living in the effectively still segregated 1970s American Midwest, has decided she is going to make a point (maybe to herself) by bringing her lover Isaac—an Ethiopian foreign exchange student—to a
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“Zombies didn’t discriminate. Everyone tasted equally good as far as zombies were concerned. And anyone could be a zombie. You didn’t have to be special, or good at sports, or good-looking. You didn’t have to smell good, or wear the right kind of clothes, or listen to the right kind of music. You just had
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Take a break from the news We publish your favorite authors—even the ones you haven’t read yet. Get new fiction, essays, and poetry delivered to your inbox. YOUR INBOX IS LIT Enjoy strange, diverting work from The Commuter on Mondays, absorbing fiction from Recommended Reading on Wednesdays, and a roundup of our best work of
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Gentrification takes center stage in Cleyvis Natera’s debut novel Neruda on the Park, which follows the different reactions the members of the Guerrero family have to the impending redevelopment of their predominantly Dominican New York City neighborhood.When a neighboring tenement is demolished to make way for a luxury complex of condominiums in their neighborhood, the
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Noir has long been obsessed with books—books as objects, as evidence, as repositories of the past, and occasionally as glimpses into other worlds of possibility. It’s no wonder, then, that booksellers often turn up in fiction, and especially in mystery. There’s something intoxicating about the turn a story takes when the characters walk into a
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In our series Can Writing Be Taught?, we partner with Catapult to ask their course instructors all our burning questions about the process of teaching writing. This month we’re featuring Rachel Kincaid, a fiction writer, reporter, and cultural critic. Check out her 3-week online nonfiction seminar on exploratory writing. We talked to Kincaid about writing
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There’s No Home but There Is a Family Gina Berriault Share article “The Overcoat” by Gina Berriault The overcoat was black and hung down to his ankles, the sleeves came down to his fingertips, and the weight of it was as much as two overcoats. It was given him by an old girlfriend who wasn’t
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