Literature

Sandra Cisneros’s success as a poet, short-story writer, novelist, and essayist is tied to her determination to write about others with awareness and love. Her work is populated by powerful people—powerful in their pain, joy, and hunger for home. This fall, Cisneros’s poetry collection Woman Without Shame will be published in English by Knopf and
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The magnolias are blooming where I live in Spain—big bursts of pink blossoms garlanding the streets, sprays of pastel petals on gray pavements, a twist of color among concrete. It feels like magic every time, every year: the shoots and sprouts, buds, blooms, and blossoms, that literal spring in your step as winter fades. I
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First, I disappeared. Then I became a translator.  It’s supposed to happen the other way around. Crawling in between the lines, you practice effacing yourself. You perfect your ventriloquism, distinguishing yourself through a vanishing act. You’re expected to slip unnoticed from one language to another, masking otherness, both the original text’s and yours. You train
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With student participants Leila Bagenstos, Sophia Cunningham, Cassy Fantini, Isolde Gerosa, Jae Tak Kim, and Grace Sewell Until recently, poet Julia Nemirovskaya and translator Boris Dralyuk had little reason to believe that they wouldn’t be able to return to their birthplaces—to Moscow and Odesa, respectively. Although both have lived in the US for many years,
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In our series “Can Writing Be Taught?”, we partner with Catapult to ask their course instructors all our burning questions about the process of teaching writing. This month, we’re featuring Gabrielle Octavia Rucker, a poet, writer, and asemic artist whose debut collection Dereliction is forthcoming from The Song Cave. Check out the 5-week online generative
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Mine is the story of the woman who thought she was making a book about others; realized only as it was about to be published, that she was the broken one the book talked about. The fragmented, the dispersed, the uprooted.  When I was editing the anthology Home in Florida: Latinx Writers and the Literature
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Who doesn’t love a creepy house? When the wallpaper is peeling and the floorboards creak, it summons up everything there is to love about the Gothic genre. The atmosphere, the vibes, the feeling of being trapped in a place that is home but doesn’t quite feel welcome. Or maybe… maybe it welcomes you with a
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In Sensorium by Tanaïs is, at once, a sensuous and gut-wrenching experience in expansive memoir that bleeds across genre and time. Using perfume as a framework, Tanaïs builds the work slowly, moving from the base to the heart to the head notes, recounting alienation and life on the margins as a Brown Muslim growing up
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Yanyi shows me his SAD lamp within the first two minutes of our interview. He’s somewhere in Vermont and I’m in Brooklyn, and the sky is gray from both our windows. He tries to impart some of his manufactured sunlight to me, via Zoom, so neither of us descends further into a chasm of guilt
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