Literature

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Exit Strategies for Alaskan Wine Bars Leigh Newman Share article “Valley of the Moon” by Leigh Newman My sister is in town and wants to meet. I pick Suite 100 for its wide selection of French varietals and its convenient location on the B55 People Mover. The People Mover pulls up late as usual. The
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Melissa Chadburn’s novel A Tiny Upward Shove pulls us headlong into the short and tragic life of Marina, a ward of the state who falls victim to a serial killer targeting vulnerable women on Canada’s Highway Of Tears. Marina could be just another poor woman of color selling her body whose murder earns a brief
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proofs of the living Engraved in the nation of the bodyThat fetters or sets free Unto implacable absenceOur livesWill pave Life’sWay.  proofs of beauty In these daybreaks of still-fermenting nightWith what impetusto climb? With what eye to contemplateCities, faces, centuries, sufferings, hope? With what hands to digan eternally fecund soilRaise up an edifice of open
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I was in the first grade, age five, when I was awarded a hamper for being the “Best English Language” student. During the subsequent parents’ meeting my class teacher complimented my parents for their hard work on my language skills. Ever so proud my parents beamed, “We talk in English at home.” Born in a
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Lisa Bird-Wilson is a Saskatchewan Métis and Cree writer and activist. Her debut novel, Probably Ruby (Hogarth / Penguin Random House), will be published in April 2022 in the US, following the August 2021 publication in Canada. Her short-story collection, Just Pretending (Coteau Books, 2014), was the 2019 One Book One Province selection for Saskatchewan.
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I remember when I first sought out nature writing. My predominant sense of who got to be a nature writer—who got to take the adventure and arrive home transformed—was as cliched as anyone else’s, and for good reason. I had never known any women nature writers, nor read them. Nor could I find them easily.
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Up until my early 20s, I had never heard of the Chinese Exclusion Act. I remember taking classes on Mississippi history during my childhood in Oxford, then Texas government, and later the story of the Alamo during my teenage years in Austin. Our history textbooks were heavy and thick, always a pain to take home.
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“I dropped from my mother’s mouth with an axe, a net of lemons to which I was allergic, a limp, and a pair of Ray-Bans that fit awkwardly on my nose,” says the speaker of “Waiting in Line with Hemingway,” from Achy Obejas’s recent bilingual collection of poems, Boomerang/Bumerán. The humor here is mixed with
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