Literature

Lychakivskiy Cemetery in Lviv, Ukraine / Photo by Jennifer Boyer / Flickr So many words; they are like crippled ghosts!They strike, like bullets, far and close byBut always miss the essence of my life;They come in rows.Through these deceitful words I walk and shamble.There is a fight; I’m on the battlefield,Where all my soldiers are
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Flint, my hometown, and Detroit, where I live now, are both underrepresented in literature and disproportionately burdened with the narratives of outsiders. The usual story, the dying city narrative, goes something like this: cars, white flight, deindustrialization, poverty, blight, undrinkable water. This story usually comes with familiar illustrations: ruin porn pictures of abandoned houses picked
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Even before its publication, Body Work: The Radical Power of Personal Narrative, Melissa Febos’ fourth book and her first on craft, has reignited conversations about the impulse to write—and silence—stories of violation and trauma. But Body Work is not a manifesto for literary suffering. It is an articulate call for understanding writing, especially autobiographical writing,
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Benjamin Murphy, 100 Years of Progress (2021), oil on canvas, 72 x 48 in. / By permission of the artist but the day arrivedwhen exhaustion broke my faceand i was more than bad,i was dangerous. all said poor thinglike future,like a world shut downfor the good of all. so much disappointment was betrayal. i knew
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Is there anything more alluring, more full of curiosity and adventure, than a map? Inside every one waits a wondrous tapestry of beautiful landscapes, familiar and unfamiliar names of cities and streets, and an invitation to explore and imagine. Since childhood, I’ve found it nearly impossible to resist the urge to pore over every map
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Devour My Blackness While I Sit Here Hungry I want to commercialize your pain Hear me out: I watched the... presentation? performance? thing? What do you call that there? Is there a name for what you do? Anyhow, it’s good stuff. Really feisty. One could even say..... “powerful.” I’d like to capitalize on your.... “feminism.”
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At the risk of seeming obnoxiously obsessed with ourselves, writers and readers do tend to love books about writers and readers—especially when those fictional writers and readers behave badly. (It’s no wonder, really, why the Bad Art Friend discourse hit a nerve; so many people were frantic with empathetic outrage or gleeful schadenfreude.)  In my
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When I got to an age where I could read the same books as my mom, she started passing them along to me after she had finished. One of the books she gave me was Reading Lolita in Tehran by New York Times best-selling author Azar Nafisi, a book that I remember not only for
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Fahredin Shehu writes of Gili Haimovich’s Promised Lands (Finishing Line Press, 2020), “This book communicates globally giving more than a single book of poems may offer. There is her origin and cultural/spiritual heritage, her place and everyday life, her travels to distant lands and rich geography, her travels to her inner world and all that
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Sunrise over Lake Baikal / Photo by Arseniy Chekmarev / Flickr My name is Iaromira Forgive me if I speak of sad thingsWhen my footsteps echo in my bones A silence saved me from the wordAnother silence will save the word And the wind shall be my home                                     * I saw the stars swim
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