Film

Refresh for latest…: Warner Bros/DC’s The Flash sped into 78 overseas markets this weekend, grossing $75M, below the $85M-$95M we saw coming into the frame. With domestic’s slow-crawl three-day included, that makes for a $139M global opening. This is lower than projections, with general audiences not rushing out to see the deeper universe pic. As
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Sony has just reserved dates for untitled Sony/Marvel movies: Nov. 8, 2024 and June 27, 2025. Both will have access to Imax screens. Let the speculations begin — could be Venom 3, could be Tom Holland’s next Spider-Man movie. Currently, there’s nothing against a Sony Marvel movie on Nov. 8. Universal has an untitled event
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Executives of Regal parent Cineworld, led by CEO Mooky Greidinger, have agreed to a payout in the $30 million range, Deadline has confirmed, in the event that they leave leave the company as it prepares to exit Chapter 11. Documents filed earlier this year during ongoing bankruptcy proceedings in the Southern District of Texas indicated
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It feels like Covid all over again, but it’s not. Disney has just made a slew of release-date changes, many due to the impact of the WGA strike and screenplays not being ready and productions paused. We already know that Thunderbolts and Blade are waiting the strike out before rolling cameras. Scripts aren’t fully ready
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With the Tony Awards – and a seriously orange New York City sky – prompting some Broadway productions to reduce their playing schedules last week, total box office and attendance was down a bit, with the 33 shows taking in $30,961,479 for the week ending June 11. In all, four productions – Kimberly Akimbo, New
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After a year plus of tabloid headlines about its star Ezra Miller, Warner Bros./DC’s Covid-delayed $200M Justice League standalone superhero movie, The Flash, finally arrives in theaters. The global opening looks better than domestic, $155M-$165M Global to a $70M+ in U.S./Canada. Despite a very good response out of CinemaCon and DC co-boss James Gunn exclaiming
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While she was ebullient about Leopoldstadt‘s Tony Awards wins, including a crowning one for Best Play, producer Sonia Friedman offered some sobering thoughts about plays of its scale and cost Sunday night. “Oooh, this is a big conversation,” Friedman said when asked about the challenges of producing a show like Tom Stoppard’s multi-layered look at
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Utopia’s Squaring the Circle (The Story of Hipgnosis) grossed an estimated $10k from one engagement at NYC’s Film Forum, where it was the top-ranking pic. Celebrated filmmaker and photographer Anton Corbijn’s first feature documentary is the story of Hipgnosis, the iconic album art design studio that was a force in the music industry behind some
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The Seekers is an unreal kind of adventure series full of humor and unforgettable moments. David, an out-of-work animal control officer, in a last-ditch effort to turn his life around unexpectedly teams up with his polar opposite, Steve, a quirky but funny business entrepreneur, who brings turmoil to every adventure. The two of them recruit
Paramount/Skydance/Hasbro’s Transformers: Rise of the Beasts is on the prowl overseas with $43.3M through Friday in 68 markets. This portends a $100M+ international box office debut, in line with projections. The domestic three-day is looking at $60M. China, a key market for the franchise, released the Autobots and Maximals at No. 1 on Friday with $11.8M,
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