Film

Columbia Pictures’ and Sony Pictures Animation’s Spider-Man: Across the Universe is casting its web in international box office markets with  $13.5M through Thursday. That’s 2.5x the original in like-for-likes.  Notable in early reporting, India broke the local all-time opening day record for an animated movie with $610K while releasing on a non-traditional Thursday. The launch day gross is higher than
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A24 follows You Hurt My Feelings last weekend with dual-language romance Past Lives, starting a platform release on four screens in New York and LA including Q&As led by talent who have been champions of the film, including Steve Buscemi, Jodie Turner-Smith and Lulu Wang. Expanding this month. The Sundance premiering pic by Celine Song,
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EXCLUSIVE: Sony Animation’s Spider-Man: Across the Spider-Verse is doing some serious business tonight according to box office sources, accumulating $16M off previews that began at 3PM at 3,562 theaters. That’s the second best preview night ever for an animated movie after Disney/Pixar’s Incredibles 2 ($18.5M) from June 2018. Disney/Pixar’s Toy Story 4, with $12M, is
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In a rare situation for a Disney tentpole, particularly a live-action title based on a treasured classic animated musical, The Little Mermaid looks to bank more at the domestic box office ultimately than overseas, with $300M-$350M U.S./Canada to $260M abroad. At that level, per finance sources, off a reported $250M production cost and $140M global
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Last night at the world premiere of Spider-Man: Across the Spider-Verse there was a huge sigh of relief from the mass of animators inside Westwood’s Regency Village Theater: the $100M budgeted sequel to the Oscar winning animated movie, Spider-Man: Into the Spider-Verse, was done; having completed post-production literally just ten days ago after a five-year
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Talk about legs — or, more appropriately, wings: Paramount/Skydance’s Top Gun: Maverick is still playing in Japanese cinemas a full year on from its debut. Continuing on from a stratospheric and super-leggy run, the sequel, on its 365th day of release, became Tom Cruise’s biggest film ever in the market. In doing so, it overtook
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Refresh for latest…: Disney’s live-action take on The Little Mermaid is doing swimmingly at the domestic box office, with a three-day opening of $95.5M and a four-day projection of $117.5M. Factoring in the international box office bow of $68.3M, that makes for an estimated $163.8M global debut through Sunday. The offshore launch is lower than
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Refresh for latest…: Apart from big new opener The Little Mermaid, which we detailed here, this weekend was notable for propelling Universal’s Fast X past the $500M mark globally, and Disney/Marvel’s Guardians of the Galaxy Vol. 3 to over $730M worldwide. The Fast & Furious franchise had, earlier this week, crossed $7B globally while the
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The arthouse box office hasn’t recovered quickly post-Covid, but one of the oases for the sector, even by pre-pandemic benchmarks, has always been a Wes Anderson movie. This summer we have his latest all-star absurdist comedy, Asteroid City, which just premiered at Cannes, which begins its limited run on June 16. How big has Anderson
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