Film

Broadway’s pre-Omicron autumn might best be described using a song lyric sung on stage every night by American Utopia‘s David Byrne: “Same as it ever was.” As disappointing but hardly surprising private box office data obtained by The New York Times indicates, Broadway audiences returned from the 18-month pandemic shutdown last fall with old habits
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After two weekends without any major-studio wide releases amid Omicron fears, Paramount and Lionsgate will try to lure moviegoers back with Jackass Forever and AGC Studios’ Moonfall, respectively Exhibition hopefully will see more traffic after the Northeast experienced cabin fever from winter storm Kenan last weekend. Rolling winter-into-spring breaks don’t go into effect until February 18,
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The Battle At Lake Changjin II (aka Water Gate Bridge) led the Chinese New Year box office on day one today, coming in at an estimated RMB 657.6M ($103.4M). While that’s certainly an enviable single-market one-day score — and is the second-biggest CNY opening day ever — it’s about 35% below the record-breaking debut day
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Lionsgate’s feature take of Judy Blume’s classic Are You There God? It’s Me, Margaret has been scheduled for Sept. 16 this year. As Deadline first reported in early March 2020, the studio won the film rights to Blume’s 1970 novel in an auction, green lighting the feature with a $30M production cost and Kelly Fremon Craig directing
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After being forced to sit out the annually lucrative Chinese New Year period as the Covid crisis was just beginning in 2020, Chinese box office blasted to an all-time high during the comparable 2021 session. This week, the Year of the Tiger will be ushered in with eight movies beginning February 1, and with potential
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Cinemas from Philly to New York State and Boston (Coolidge Corner Theatre, you were missed) shuttered all or part of Sat., rattling but not routing the specialty box office. And a shout-out to theaters in NYC proper where all stayed open – sparse by day but picking up in the evening thanks to “younger people
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GameStop: Rise of the Players, Adrien Brody passion project Clean, Cannes winner Compartment No. 9, Danish upscale restaurant drama A Taste of Hunger, Michel Franco’s Sundown and Woody Allen’s latest Rifkin’s Festival hit theatres crowded by Oscar contenders in a specialty market consumed by awards season (and as a major storm looks set to pummel the
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Paramount/Nickelodeon/Spin Master’s Paw Patrol: The Movie has sauntered across the $100M threshold at the international box office. The Cal Brunker-directed animated action adventure now counts $100.3M to date overseas, and over $140M global. The film has been on a staggered overseas rollout, beginning in just six markets in mid-August last year, and continuing to add new hubs throughout September and
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More bragging rights for Sony, the studio dedicated to the theatrical window and distributor of the highest grossing movie of the pandemic, Spider-Man: No Way Home; their Marvel sequel Venom: Let There Be Carnage now counts $213.517M at the domestic box office, clicking past the 2018 first title’s $213.515M. Venom: Let There Be Carnage made $18,5K at
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Sony Pictures has acquired global rights to Rosalind Ross’ feature directorial debut Father Stu, starring and produced by Oscar nominee Mark Wahlberg. Written by Ross, the film follows the true-life story of boxer-turned-priest, Father Stuart Long, whose journey from self-destruction to redemption inspired countless people along the way. Sony has set a theatrical release of Father
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EXCLUSIVE: After notching what I hear is the best test scores in MGM history, Ron Howard’s Thai cave rescue movie Thirteen Lives is moving its release date from Easter weekend this year to Friday, November 18 and into the aorta of awards season. The movie, scripted by two-time Oscar-nominated screenwriter William Nicholson, is the type of
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