Film

According to Imax chief executive Rich Gelfond, the box office power of Disney/Marvel’s Shang-Chi And The Legend Of The Ten Rings should lay to rest the question of moviegoers’ willingness to return to theaters. “The studios said, ‘This is an experiment.’ I think there is an answer to the experiment. We release it in the theatrical window

Before the industry could calculate summer’s final box office figures, they had to wait for Disney, which had the final say. Because when you have a Marvel movie like Shang-Chi and the Legend of the Ten Rings programmed during the final weekend of the season, and it delivers a Labor Day holiday opening of $94.67M, it

It was the worst kept secret in Hollywood that Sony was bound to vacate Venom: Let There Be Carnage from its Oct. 15 release date, but after the enormous $90M Labor Day weekend success of Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings, the Culver City lot has decided to go earlier with their own

Tango Shalom — where a female Tango dancer (Dancing with the Stars champion Karina Smirnoff) invites an Orthodox Jewish Rabbi (Jos Laniado) to enter a televised dance competition — was an arthouse standout this weekend with a per screen average of over $4,000 at four theaters in New York and LA. The solid performance in a

Refresh for latest…: Disney/Marvel’s Shang-Chi And The Legend Of The Ten Rings outperformed expectations at the global and international box office this weekend, coming in with $56.2M overseas for the standard frame, and a new Labor Day record $83.5M for the four-day domestic session ($71.4M three-day). Combined, and including the Labor Day estimate, the worldwide

A glum arthouse market may be entering a gateway weekend into happier days after months of distributors — with rare exceptions — pulling out their hair at dismal per-screens averages. That’s because festival buzz is mounting for film after film – from Card Counter, Dune and Spencer (debuted in Venice, opening respectively Sept 10, Oct.

Waitress, the Broadway hit that, along with Hadestown, brought music back to the New York stage last night after many dark months, grossed $197,878 in tickets sales today, breaking the single-performance house record at the Ethel Barrymore Theatre. The previous record – $184,476 – was set by the 2013 production of Betrayal starring Daniel Craig

For the pandemic, Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings posted a solid Thursday night preview gross especially before a slow Labor Day box office frame, with $8.8 million  from showtimes that began at 6 p.m. On the high side, that figure is above the Thursday night start of Universal’s F9, which posted $7.1M

EXCLUSIVE: After a successful launch of clips and footage at CinemaCon, Paramount is pushing its big Tom Cruise tentpoles, Top Gun: Maverick to May 27, Memorial Day weekend 2022, and Mission: Impossible 7 to Sept. 30, 2022. Again, these are big potential billion dollar grossing franchises co-produced with Skydance which require the world to be in an

It’s not Venom: Let There Be Carnage going on Nov. 19, rather Sony’s Ghostbusters: Afterlife which received high praise from exhibition out of CinemaCon. Word was that the Marvel sequel would move from Oct. 15 after Paramount flew Top Gun: Maverick from its Nov. 19 date, however, it’s the Jason Reitman-directed, Ivan Reitman produced sequel to the Columbia Pictures comedy franchise.

The Labor Day weekend box office, the last frame of summer, which studios typically shy from, is poised for a revolution as Disney debuts the first Asian American Marvel superhero feature Shang-Chi and the Legend of Ten Rings.  Studios have held the long belief that no one goes to the movies over Labor Day weekend,

Refresh for latest…: One of the only Hollywood titles to recently be granted a China release date, Disney/20th Century Studios’ Free Guy flew into the market with a $23.9M start. This is a solid launch in the Middle Kingdom, particularly in the current climate, and helped push the Ryan Reynolds-starrer past $100M at the international

Being James Bond, from MGM, will stream exclusively on the Apple TV app as a free rental ahead of the theatrical release of No Time To Die, the 25th installment of the storied franchise. The 45-minute retrospective features Daniel Craig reflecting on his 15 years playing Bond, with never-before-seen archival footage from his oeuvre and conversations with 07

Never underestimate the power of the big screen, even as a marketing tool. This past weekend, the film and music industries crossed roads as Imax delivered a unique global stunt for 2x Grammy nominee and multi-platinum selling pop performing artist Halsey timed to her fourth studio album, If I Can’t Have Love, I Want Power. 

Pantelion’s animated film Un Rescate De Huevitos (An Egg Rescue) is a rarity in the specialty box office as a Spanish language animated film. And its opening weekend success will certainly come as no surprise in Mexico where the franchise is its highest-grossing film series to date. The Spanish-language animation performed tremendously at its 320

With the $20.4M opening of Universal/MGM/Monkeypaw’s Candyman, director Nia DaCosta becomes the first Black female director to debut a movie in the No. 1 weekend spot at the domestic box office. At the same time, Candyman marks the second-highest grossing 3-day domestic weekend B.O. opening for a Black female director; that record owned by Ava DuVernay and

Anyone who skipped CinemaCon this year out of fear of the pandemic in Las Vegas missed a spitfire of a luncheon chat this afternoon. Not only was Patty Jenkins smashing the theatrical day & date model, and wagging a finger at exhibition over the decline in moviegoing experience, but also Paramount Domestic Distribution Boss Chris