Film

Heading into Lionsgate’s CinemaCon presentation this afternoon, the studio’s Motion Picture Group Chairman, Joe Drake, was trying to figure out what he wanted to say to the room of exhibitors. He regaled those at Caesars Palace Colosseum with a story about how he met up with Cineworld and Regal Boss Mooky Greidinger at the confab

Refresh for updates…Out of all the studios giving presentations during CinemaCon this week, Universal showed great respect to exhibition workers, by including them as presenters in their theatrical release reel. Before rolling a clip on each film set for release before March 2022, a talent from the project would reflect on their favorite cinema, and

Chris Pratt’s Owen Grady galloping after dinosaurs in a snowy mountain landscape, Bryce Dallas Howard’s Claire Dearing being chased by them on European rooftops, and the legacy trio of Sam Neil, Jeff Goldblum, and Laura Dern returning. These are some of the images from the BTS reel Uni presented for Jurassic World Dominion. While the studio

Warner Bros came with a huge reveal Tuesday at its CinemaCon presentation: the trailer for its Village Roadshow co-production Matrix 4. And Warners also gave us the official title too: The Matrix: Resurrections. The trailer begins with Neil Patrick Harris talking to Keanu Reeves’ Neo. A near future San Francisco. It appears that Neo is trapped

Warner Bros went completely virtual at CinemaCon with a pre-recorded hour-long reel sans executives onstage. We understand that it had nothing do with Covid, nor any kind of day-and-date head ducking, rather their senior ranking domestic and international distribution guys were unable to attend the confab for respective personal commitments. Warners does have other members

Sony, which was last seen at CinemaCon in 2018, brought the confab back to post(ish)-pandemic life today. Its President of the Motion Picture Group, Josh Greenstein, took center stage and reiterated the Culver City lot’s “commitment to protecting and preserving the theatrical window.” That drew a great roar from the Caesar’s Palace Colosseum crowd. Despite

Of course, any kind of day and date release puts exhibitors in competition with the studios’ streaming services, and no doubt there’s a loss of cash in the collapse of the theatrical and PVOD window. However, the worst takeaway from dynamic windows is piracy, plain and simple. Such was the message from CinemaCon’s first panel

Sean Penn’s Flag Day raised a $1,656 per screen average from 24 runs this weekend, a glum opening for the father-daughter family drama from United Artists Releasing. The film, directed and starring Penn as the most notorious counterfeiter in U.S. history, along with daughter Dylan Penn, targeted an older, sophisticated demo that’s proving hard to

Some say CinemaCon shouldn’t even be taking place this week. That Las Vegas is a hotbed for the virus. How the whole conference should have been virtual (actually, some studio presentations were entirely filmed). That exhibition and the domestic box office aren’t even back to form yet, with the year-to-date total at $1.964 billion as

There are a majority of adult-skewing movies opening this weekend that were poised to perform poorly, and that would still be the case if they were in a pre-pandemic marketplace. However, there are two bright spots to be thankful for: Disney/20th Century Studios’ Free Guy is holding up significantly better than expected, bound for an estimated

The Delta Variant, streaming wars and surging piracy loom large as CinemaCon launches Sunday at Caesars Palace in Las Vegas, the first in-person gathering of theaters owners and Hollywood studios since the pandemic struck 18-months ago. The virus has slashed registered attendees to circa 2,000 from 3,500 pre-pandemic, with a sizeable European contingent entirely shut

United Artists Releasing opens Flag Day, directed and starring Sean Penn, in a uneven specialty market where the Delta Variant spike has theaters in key cities requiring proof of vaccination, theaters are hard to book, and hits have been rare since the industry reopened. Eventually “We’ll crack the code, because good movie and good stories

Remember that blood bath that was suppose to occur between two major studio animated family films during the first weekend of October? Well, as reporter earlier this week Sony decided to go into talks with Amazon to sell off their Hotel Transylvania 4, and now MGM/United Artists Releasing is taking their sequel Addams Family 2

Jockey, which won the Sundance Film Festival U.S. Dramatic Special Jury award for star Clifton Collins Jr.’s acting, will hit New York and LA theaters on Dec. 29. Sony Pictures Classics acquired the film out of the Park City, Utah festival. The movie will expand across the country following its exclusive debut. Directed by Clint Bentley

EXCLUSIVE: Landmark Theatres has entered into a long-term lease for the Scottsdale Quarter luxury multiplex in Scottsdale Arizona which was previously occupied by dine-in-cinema iPic Theatre. This is Landmark’s first theatre in the market. The eight-screen plex will reopen this fall after being shuttered since the end of the January 2020. “We are very excited

Those distributors with new movies this weekend will find they can easily blame any soured performance at the box office on the delta variant and vaxx cards being required at NYC, San Francisco, and New Orleans cinemas. But, let’s not forget one huge thing: It’s late August, and that means it’s the season for lower

Marvel, Fast & Furious and Ryan Reynolds movies aren’t the only titles that had to sit out and wait for their theatrical release during the pandemic, but also highly anticipated indie pics like David Bruckner’s The Night House. Before Covid, a slice of the world got a glimpse of the Rebecca Hall haunted lake real estate title

Universal has set a release date of April 7, 2023 for Fast and Furious 10, Deadline can confirm. That returns the Fast & Furious franchise to its holy Easter weekend stomping ground where F7, the highest grossing title in the series was launched in 2015 to $147.1M domestic, and finaled at $353M domestic, $1.5 billion global. Universal followed with Fate