While the delta variant continues to be a stumbling block for the overseas box office, it’s not entirely certain that’s the continuing case at the domestic box office as more people become vaccinated. Despite comfort levels for moviegoing being down over the last three weeks per NRG, it’s not all doom-and-gloom with such parameters on
Film
Universal Pictures and Blumhouse Productions announced today that they’ll release the first of three movies based on the Exorcist franchise IP on October 13, 2023. Universal already had an untitled Blumhouse movie scheduled on the date which follows in the wake of the first October weekend of 2023 where both Disney Marvel and Warner Bros.
UPDATED with TIFF exit: Clifford the Big Red Dog, Paramount’s CG/live-action movie that was unset from its planned September 17 release, will also not world premiere at next month’s Toronto Film Festival. It had been set as a Gala Presentation via the pic’s Canadian rightsholder eOne, which confirmed the news today that it was removing
EXCLUSIVE: Disney’s Dwayne Johnson-Emily Blunt family adventure movie Jungle Cruise was watched by 777,000 U.S. Households in its first weekend on Disney+ Premier according to streaming analytics corp Samba TV. At a price of $29.99 that translates to an estimated $23.3M amount of revenue earned for Jungle Cruise in Samba monitored TV households. Samba monitors streaming viewership in 3M
Norwegian rocker known for his virtuosic guitar skills and power vocals will play the lead character in the upcoming Rockin’ In Time feature film Following an arduous worldwide hunt for a “diamond in the rough,” ― as described by casting director R. Scott Leisk ― Rockin’ In Time has snagged Norwegian multi-instrumentalist, Rocky Kramer, who
Sara Bareilles won’t be the only Waitress cast member with prior stage-diner experience when the musical reopens on Broadway in September: Producers announced today that Waitress vets Eric Anderson, Charity Angel Dawson, Christopher Fitzgerald, Caitlin Houlahan, Dakin Matthews and Joe Tippett will be back for at least part of the show’s limited engagement. Producers Barry
Science fiction drama Nine Days from Sony Pictures Classics opens in four theaters in a specialty market buoyed by recent releases like Roadrunner: A Film About Anthony Bourdain and Pig. New York’s arthouse scene, outpaced by LA of late, is perking up, distributors say (Ailey numbers were super there) and moviegoers are rewarding unique films
Sunday AM Update: Refresh for chart and more analysis Jungle Cruise starring Dwayne Johnson and Emily Blunt kept its ship together at the box office over the weekend, and actually saw an uptick in Friday-to-Saturday grosses (when you back out Thursday previews of $2.7M) of +15% which puts the adventure film at $34.2M, an opening that’s not far
Sony Picture Classics and Neon fared well in their small releases this week with Nine Days and Ailey respectively, running across 6 total locations in New York, Los Angeles and Irvine – both notching heavy per screen averages with the former leading to its wider release next week. Nine Days hit NYC (Angelika, AMC Lincoln Square)
Refresh for latest…: In its global launch, Disney’s Jungle Cruise grossed $61.8M at worldwide turnstiles. That does not include the “over $30M” that came from Disney+ in the day-and-date streaming release (which leads to $91.8M as Anthony has reported). In pure theatrical terms, the Dwayne Johnson/Emily Blunt-starrer performed ahead of expectations domestically, and came in
AMC Entertainment CEO and newly anointed chairman Adam Aron is having a moment with shareholders — that army of retail investors he said in June numbered approximately 4.1 million and own more than 80% of the stock. Some of them found it hard to access the company’s annual meeting Thursday, which was held in person
Refresh for updates…Disney is reporting $2.7M for its Dwayne Johnson-Emily Blunt family adventure movie Jungle Cruise off 7PM shows. A24’s Dev Patel fantasy movie Green Knight came up strong with $750K at 2,790 theaters. The NY-based indie distrib’s previous preview highs include Ari Aster’s Midsommar (which started on a Tuesday) with $1.1M and the filmmaker’s Hereditary which did a $1.3M Thursday. Green Knight has
Paramount Pictures has curbed the planned September 17 release of Clifford the Big Red Dog, its CGI/live-action take on the beloved kidlit character. We hear that the studio is looking for a more family-friendly release date for the pic, which also had been announced as a Gala Presentation at the Toronto Film Festival in September. The title’s
New Line’s The Conjuring: The Devil Made Me Do It has grossed more than $196M WW, catapulting the entire Conjuring franchise through seven movies past $2 billion in global ticket sales. The series from filmmaker James Wan and producer Peter Safran kicked off in 2013 with the first title yielding $320.2M WW and another $321.6 M from its 2016
Bruce, a previously announced new musical based on Jaws screenwriter Carl Gottlieb’s 1975 memoir The Jaws Log, is resurfacing: Seattle Rep will stage the world premiere next May, the regional theater company announced today. Featuring music by Richard Oberacker and book and lyrics by Oberacker and Robert Taylor (the team behind the 2017 Broadway musical
The Paris Theater, an NYC cinematic landmark rescued by Netflix in 2019, will officially reopen August 6 with the streamer’s The Forty-Year-Old Version by Radha Blank and a week of repertory films programmed by the director. The only single-screen movie theater in Manhattan and the borough’s largest, with 545 seats, has hosted limited theatrical engagements
To date, Disney has tried to play an original animated film, a Marvel title, and an Emma Stone 101 Dalmatians villainess movie in theaters and on the PVOD tier of the studio’s streaming service simultaneously, and this weekend they’ll accelerate windows again on the Dwayne Johnson-Emily Blunt theme park-inspired title Jungle Cruise. Given how we’ve seen
Despite Disney’s experimentation with releasing movies like Black Widow and Jungle Cruise day-and-date in theaters and in the home on the PVOD tier of their streaming service Disney+ Premier, Imax CEO Rich Gelfond doesn’t believe the model will be the new normal moving forward. “Every studio has seen the same data that Disney has seen. What Disney did
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